新东方背诵80篇含翻译(doc68)

新东方背诵80篇含翻译(doc68)

>01 The Language of Music
A painter hangs his or her finished picture on a wall, and everyone can see
it. A composer writes a work, but no one can hear it until it is performed.
Professional singers and players have great responsibilities, for the
composer is utterly dependent on them. A student of music needs as long and
as arduous a training to become a performer as a medical student needs to
become a doctor. Most training is concerned with technique, for
musicians have to have the muscular proficiency of an athlete or a ballet
dancer. Singers practice breathing every day, as their vocal chords would
be inadequate without controlled muscular support. String players practice
moving the fingers of the left hand up and down, while drawing the bow to
and fro with the right arm -- two entirely different movements.
Singers and instrumentalists have to be able to get every note perfectly in
tune. Pianists are spared this particular anxiety, for the notes are
already there, waiting for them, and it is the piano tuner's responsibility
to tune the instrument for them. But they have their own difficulties: the
hammers that hit the strings have to be coaxed not to sound
like percussion, and each overlapping tone has to sound clear.
This problem of getting clear texture is one that confronts student
conductors: they have to learn to know every note of the music and how it
should sound, and they have to aim at controlling these sounds with
fanatical but selfless authority.
Technique is of no use unless it is combined with musical knowledge
and understanding. Great artists are those who are so thoroughly at home in
the language of music that they can enjoy performing works written in any
century.

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